1 00:00:28,094 --> 00:00:29,729 RARR! 2 00:00:34,000 --> 00:00:35,502 AH, HOW OLD IS HE NOW? 3 00:00:35,568 --> 00:00:36,836 HE'S SIX. 4 00:00:36,903 --> 00:00:37,871 YEAH. 5 00:00:44,077 --> 00:00:45,745 ALL RIGHT, I'M GONNA ASK YOU ONE MORE TIME. 6 00:00:45,812 --> 00:00:47,347 WHAT'S THE MATTER? 7 00:00:49,182 --> 00:00:51,851 LEONARD LEAVING YOU OR SOMETHING? 8 00:00:51,918 --> 00:00:54,888 NO, I MEAN, NOT THAT I KNOW OF, NO. 9 00:00:56,456 --> 00:00:57,357 UM, 10 00:00:59,025 --> 00:01:00,226 IT'S UM, 11 00:01:00,994 --> 00:01:02,529 I'M PREGNANT AGAIN. 12 00:01:03,730 --> 00:01:05,832 WELL, CONGRATULATIONS. 13 00:01:05,899 --> 00:01:07,567 REALLY? 14 00:01:07,634 --> 00:01:09,369 DOES LEONARD KNOW? 15 00:01:11,571 --> 00:01:12,939 NO. 16 00:01:13,006 --> 00:01:14,107 WHY NOT? 17 00:01:15,041 --> 00:01:17,477 BECAUSE I KNOW HE'D WANT ME TO... 18 00:01:19,612 --> 00:01:20,547 GET RID OF IT. 19 00:01:22,348 --> 00:01:23,216 WHY? 20 00:01:23,983 --> 00:01:27,520 YOU KNOW, BEHIND ALL OF HIS, 21 00:01:27,587 --> 00:01:29,956 BOHEMIAN IDEALS OR WHATEVER YOU WANNA CALL IT, 22 00:01:30,023 --> 00:01:34,661 HE'S QUITE A CONSERVATIVE MAN WHO... 23 00:01:36,262 --> 00:01:38,798 DOES NOT WANT A CHILD THAT ISN'T JEWISH. 24 00:01:39,732 --> 00:01:41,568 NEITHER DOES HIS MOTHER, SO. 25 00:01:42,669 --> 00:01:45,738 AND I'LL HAVE TO TALK TO HIM, BUT YOU KNOW, 26 00:01:45,805 --> 00:01:47,740 HE JUST HAS TO MAKE IT AND... 27 00:01:47,807 --> 00:01:49,275 MAKE WHAT? 28 00:01:50,610 --> 00:01:53,113 IF HE DOESN'T WANT THE CHILD THAT HE CAN HAVE WITH YOU, 29 00:01:53,179 --> 00:01:56,149 BUT HE WANTS THE SUCCESS THAT HE CAN HAVE WITHOUT YOU? 30 00:02:02,789 --> 00:02:05,492 I HAVE THE ADDRESS FOR A PRETTY DECENT DOCTOR IN ATHENS, 31 00:02:05,558 --> 00:02:07,760 IF YOU WANT IT, JUST LET ME KNOW. 32 00:02:08,428 --> 00:02:11,197 LOOK, MOMMY, I CAUGHT A BIG FISH! 33 00:02:11,264 --> 00:02:12,932 OI! - OH, HE GOT ONE. 34 00:02:12,999 --> 00:02:14,634 HELLO, FISH! 35 00:02:15,068 --> 00:02:16,736 OOH, LOOK AT HIM! 36 00:02:16,803 --> 00:02:18,138 WOW! 37 00:02:18,204 --> 00:02:19,906 OH, HE'S A BIG GUY! 38 00:02:22,909 --> 00:02:24,978 YOU LITTLE RASCAL! 39 00:02:25,044 --> 00:02:26,913 WHAT DO YOU THINK YOU'RE DOING? 40 00:02:45,698 --> 00:02:47,901 ♪ I'M OUT OF TIME ♪ 41 00:02:47,967 --> 00:02:50,436 ♪ IT'S NOTHING NEW ♪ 42 00:02:50,503 --> 00:02:55,141 ♪ I PAY SO DEARLY FOR THE THINGS I DIDN'T DO ♪ 43 00:02:55,208 --> 00:02:57,644 ♪ NO SLEEP FOR DAYS ♪ 44 00:02:57,710 --> 00:03:00,246 ♪ MY BRAINS ARE BLUE ♪ 45 00:03:00,313 --> 00:03:05,285 ♪ I FIND THE BOTTOM OF A BOTTLE WITHOUT YOU ♪ 46 00:03:05,351 --> 00:03:06,886 ♪ WITHOUT YOU ♪ 47 00:03:30,009 --> 00:03:31,144 YOU OKAY? 48 00:03:33,913 --> 00:03:34,948 NO. 49 00:03:35,014 --> 00:03:35,815 NO? - NO. 50 00:03:35,882 --> 00:03:37,450 I WISH I HAD SOME SPEED. 51 00:03:38,885 --> 00:03:40,787 OH, I DON'T HAVE ANY. 52 00:03:41,721 --> 00:03:42,388 GOOD LUCK. 53 00:03:42,455 --> 00:03:44,824 GOOD EVENING. 54 00:03:44,891 --> 00:03:48,261 PLEASE HELP ME WELCOME CANADA'S MOST PROMISING POET 55 00:03:48,328 --> 00:03:51,331 AND NOVELIST WITH "BEAUTIFUL LOSERS," 56 00:03:51,397 --> 00:03:52,966 MR. LEONARD COHEN. 57 00:04:08,114 --> 00:04:09,549 GOOD EVENING. 58 00:04:09,616 --> 00:04:13,386 PLEASE HELP ME WELCOME CANADA'S MOST OVERRATED POET, 59 00:04:15,455 --> 00:04:18,024 AND MOST INSUFFERABLE NOVELIST, 60 00:04:18,091 --> 00:04:21,060 WITH HIS DISASTER, "BEAUTIFUL LOSERS," 61 00:04:21,127 --> 00:04:22,829 MR. LENIARD CURIB. 62 00:04:28,201 --> 00:04:32,238 ""WHY HAVE YOU ALLOWED YOURSELF TO BE ROBBED? 63 00:04:32,305 --> 00:04:35,608 WHY DO YOU ALWAYS TRY TO HUMILIATE ME?' 64 00:04:35,675 --> 00:04:38,978 I ASKED HIM SO SOLEMNLY THAT I SCARED MYSELF. 65 00:04:40,013 --> 00:04:42,482 HE STOOD UP, COVERED THE MODEL 66 00:04:42,548 --> 00:04:45,351 WITH A PLASTIC REMINGTON TYPEWRITER COVER. 67 00:04:45,418 --> 00:04:48,888 HE DID THIS SO GENTLY, WITH A KIND OF PAIN." 68 00:04:48,955 --> 00:04:50,657 IT WAS FANTASTIC. 69 00:04:50,723 --> 00:04:52,425 YOU SEDUCED EVERY FUCKING ONE OF THEM. 70 00:04:52,492 --> 00:04:55,662 THERE WERE MORE PEOPLE IN THERE THAN BOUGHT THE BOOK. 71 00:04:55,728 --> 00:04:59,232 THIS BOOK IS THE BOOK OF THE YEAR ACCORDING TO "THE STAR." 72 00:04:59,299 --> 00:05:00,967 YOU KNOW, SOMEONE ELSE SAID IT WAS, 73 00:05:01,034 --> 00:05:04,070 "THE MOST REVOLTING BOOK TO EVER COME OUT OF CANADA." 74 00:05:04,137 --> 00:05:05,772 HM. - 400 COPIES. 75 00:05:05,838 --> 00:05:06,673 MR. COHEN? - MAD. 76 00:05:06,739 --> 00:05:08,308 MAYBE THE NEXT TIME, YOU SHOULD- 77 00:05:08,374 --> 00:05:11,577 MR. COHEN, CAN YOU SIGN, PLEASE? 78 00:05:11,644 --> 00:05:13,846 OKAY. THIS IS FROM THE DOCUMENTARY? 79 00:05:13,913 --> 00:05:14,781 YES. 80 00:05:14,847 --> 00:05:15,982 DO YOU LIKE IT? 81 00:05:16,049 --> 00:05:20,086 OH, I LOVE THE BIT WHERE YOU PLAY GUITAR AND SING. 82 00:05:20,153 --> 00:05:21,521 OH, YEAH? THANK YOU. 83 00:05:24,490 --> 00:05:26,926 YOU SEE? THEY LOVE YOU. 84 00:05:26,993 --> 00:05:28,061 DO YOU MIND? 85 00:05:28,127 --> 00:05:29,762 THAT'S NOT REALLY AN ISSUE. HI. 86 00:05:30,763 --> 00:05:34,400 OH, IT'S PERFECT. OH, THAT'S A GREAT COPY. 87 00:05:34,467 --> 00:05:36,736 HAVE A GREAT DAY. 88 00:05:36,803 --> 00:05:38,805 OH, THANK YOU VERY MUCH. 89 00:05:41,140 --> 00:05:42,275 I DIDN'T SEE THAT. 90 00:05:42,342 --> 00:05:44,143 YOU KNOW, I'M THINKING OF, UM, 91 00:05:46,779 --> 00:05:49,682 SINGING MY POEMS, BUT YOU KNOW, FOR MONEY MAKING. 92 00:05:49,749 --> 00:05:50,450 WHY? 93 00:05:50,516 --> 00:05:51,851 IT WORKS FOR DYLAN. 94 00:05:51,918 --> 00:05:53,252 LISTEN, THE TV SHOW? 95 00:05:53,319 --> 00:05:55,988 THEY OFFERED YOU TO HOST LIKE AN INTELLECTUAL SHOW. 96 00:05:56,055 --> 00:05:57,223 THERE'S GOT TO BE SOME MONEY IN IT, 97 00:05:57,290 --> 00:05:59,492 AND YOU SURELY WANT THE FAME, RIGHT? 98 00:05:59,559 --> 00:06:01,427 WELL, I UM, I SAID NO. 99 00:06:01,494 --> 00:06:04,497 AND IT'S EXPOSURE. YOU CAN SELL YOUR BOOK. 100 00:06:04,564 --> 00:06:07,900 RIGHT, BUT I, I THINK I'M TOO UGLY FOR TV. 101 00:06:07,967 --> 00:06:11,504 THAT GUY FROM CBC SAID THAT THE TV DON'T LIE. 102 00:06:11,571 --> 00:06:12,839 YOU'RE ON THE HOOK. 103 00:06:12,905 --> 00:06:14,774 NO, I'M A BRILLIANT FAILURE, I DON'T WANT TO. 104 00:06:14,841 --> 00:06:16,976 YOU'RE ON THE HOOK. LOOK AT ME. 105 00:06:17,043 --> 00:06:20,613 FAME, I CAN SEE IT, YOU'RE GONNA BE FAMOUS. 106 00:06:20,680 --> 00:06:22,949 YOU WANT FAME. I DON'T WANT FAME. 107 00:06:23,015 --> 00:06:23,983 SUCCESS IS OBSCENE. 108 00:06:24,050 --> 00:06:24,984 FAME. 109 00:06:25,051 --> 00:06:26,786 MAYBE I'LL GET BACK INTO HOCKEY. 110 00:06:26,853 --> 00:06:27,987 OH, GOD. 111 00:06:28,054 --> 00:06:30,757 WELL, ANYHOW, THANKS FOR COMING TONIGHT. 112 00:06:30,823 --> 00:06:35,261 LAST NIGHT OF THE TOUR, OF COURSE I WOULD BE HERE, LENNY. 113 00:06:35,328 --> 00:06:37,563 SO, WHAT ARE YOU GOING TO DO? 114 00:06:37,630 --> 00:06:40,533 YOU'RE GOING BACK TO GREECE OR WHAT? 115 00:06:40,600 --> 00:06:43,503 I DON'T KNOW, I DON'T KNOW THAT I'M, AH, 116 00:06:44,337 --> 00:06:46,739 I'M MUCH GOOD TO ANYONE RIGHT NOW. 117 00:06:46,806 --> 00:06:47,740 COME ON. 118 00:06:48,441 --> 00:06:49,342 JUMP IN. 119 00:06:49,409 --> 00:06:51,377 NO, THANKS, I'M JUST GONNA... 120 00:06:52,211 --> 00:06:53,479 TAKE A WALK. 121 00:06:55,047 --> 00:06:55,982 YOU SURE? 122 00:06:59,419 --> 00:07:00,586 YEAH. 123 00:07:00,653 --> 00:07:02,121 YOU'RE DOING THE WRONG THING, LENNY. 124 00:07:02,188 --> 00:07:03,089 YEAH, I AM. 125 00:07:03,156 --> 00:07:04,891 YOU'RE DOING THE WRONG THING. 126 00:07:04,957 --> 00:07:06,159 SHALOM, MAN. 127 00:07:22,442 --> 00:07:23,810 MOMMY? 128 00:07:24,410 --> 00:07:26,813 WHY ISN'T LEONARD HERE? 129 00:07:32,485 --> 00:07:34,120 HE'S MAKING THINGS. 130 00:07:35,455 --> 00:07:36,789 MAKING WHAT? 131 00:07:37,256 --> 00:07:40,993 SONGS AND STORIES AND... 132 00:07:41,060 --> 00:07:42,528 CHAOS. 133 00:07:43,296 --> 00:07:44,764 WHY? 134 00:07:45,331 --> 00:07:48,000 BECAUSE HE HAS TO MAKE THINGS 135 00:07:48,067 --> 00:07:51,571 OR HIS HEAD GETS VERY MESSY. 136 00:07:59,078 --> 00:08:00,847 ♪ SHE'S WEARING RAGS ♪ 137 00:08:00,913 --> 00:08:05,518 ♪ AND SHE'S WEARING THOSE LONG DRESSES ♪ 138 00:08:05,585 --> 00:08:07,320 ♪ SHE'S WEARING RAGS ♪ 139 00:08:08,488 --> 00:08:11,557 ♪ SHE'S WEARING RAGS AND FEATHERS ♪ 140 00:08:12,658 --> 00:08:17,296 ♪ FROM SALVATION ARMY COUNTERS ♪ 141 00:08:30,243 --> 00:08:32,712 ♪ IN THE BACK OF THE ROOM ♪ 142 00:08:32,778 --> 00:08:34,347 ♪ THE WINDOWS HAVE CLOUDED ♪ 143 00:08:34,413 --> 00:08:37,483 "DARLING MU, IT'S GOOD TO HAVE YOUR LETTERS. 144 00:08:38,484 --> 00:08:39,785 I JUST FINISHED PROMOTING THE BOOK, 145 00:08:39,852 --> 00:08:42,121 WHICH DIDN'T SELL AS I WOULD HAVE HOPED. 146 00:08:42,188 --> 00:08:44,457 DON'T WORRY, THOUGH, I'M TAKING CARE OF MYSELF, 147 00:08:44,524 --> 00:08:46,192 AND I'VE STOPPED WITH THE PILLS. 148 00:08:47,293 --> 00:08:48,995 AS BEST AS I CAN. 149 00:08:49,061 --> 00:08:51,697 I'M WORKING HARD TO MAKE MONEY FOR ALL OF US. 150 00:08:51,764 --> 00:08:54,200 AND I'M PLANNING A LITTLE TRIP TO NEW YORK SOON, 151 00:08:54,267 --> 00:08:56,202 AND I'LL SEE WHAT IT CAN BRING, 152 00:08:56,269 --> 00:08:58,971 BESIDES IMMENSE DISAPPOINTMENT. 153 00:09:00,606 --> 00:09:02,542 I'M GOING TO GIVE IT ONE MORE SHOT 154 00:09:02,608 --> 00:09:05,144 BEFORE GIVING UP ON MAKING MUSIC ENTIRELY, 155 00:09:05,211 --> 00:09:06,812 THOUGH I KNOW IT'S INEVITABLE. 156 00:09:07,947 --> 00:09:11,083 THE SPIRITUAL TRIP YOU PLAN ON DOING SOUNDS BEAUTIFUL. 157 00:09:11,150 --> 00:09:15,021 JOHN STARR COOKE LIVES UP TO HIS GLORIOUS NAME. 158 00:09:15,087 --> 00:09:17,857 I'M EXCITED TO HEAR ALL ABOUT YOUR ADVENTURES. 159 00:09:18,824 --> 00:09:20,626 I LOVE TO HEAR THAT YOU AND LITTLE AXEL 160 00:09:20,693 --> 00:09:23,162 ARE STRONG AND HAPPY. 161 00:09:24,530 --> 00:09:26,098 LOVE, LEONARD." 162 00:09:28,935 --> 00:09:31,070 ♪ SUZANNE ♪ 163 00:09:35,041 --> 00:09:36,309 HI, JOHN! 164 00:09:36,375 --> 00:09:37,476 IT'S AMAZING. 165 00:09:37,543 --> 00:09:39,111 PLEASE LEAVE YOUR BAGS. 166 00:09:39,178 --> 00:09:40,146 - HELLO. - HELLO. 167 00:09:40,212 --> 00:09:41,447 THANKS SO MUCH FOR INVITING US. 168 00:09:41,514 --> 00:09:44,317 GINSBERG'S IDEA. HE SAYS YOU ARE PERFECT. 169 00:09:44,383 --> 00:09:45,484 OH. - BUT THAT YOU TEND 170 00:09:45,551 --> 00:09:46,419 NOT TO BELIEVE IT. 171 00:09:46,485 --> 00:09:47,753 SOUNDS ABOUT RIGHT. 172 00:09:47,820 --> 00:09:50,056 I AM HERE TO WORK ON YOUR MIND. 173 00:09:50,122 --> 00:09:52,692 FEELS LIKE I'VE BEEN DOING THAT SINCE I WAS FIVE, BUT... 174 00:09:52,758 --> 00:09:54,894 WELL, NOT IN THE WAY I DO IT. 175 00:09:54,961 --> 00:09:55,895 NO. 176 00:09:55,962 --> 00:09:57,363 WADO HERE IS THE BEST. 177 00:09:57,430 --> 00:09:58,531 I HAD HIM FLOWN IN. 178 00:09:58,598 --> 00:10:00,900 HE MAKES THE MOST POTENT WEED IN THE WORLD. 179 00:10:00,967 --> 00:10:01,701 OOH! 180 00:10:01,767 --> 00:10:03,536 TWO MORE FRIENDS. 181 00:10:04,303 --> 00:10:05,504 HI. 182 00:10:05,571 --> 00:10:07,573 WE HAVE RAYMOND AND MANUELA 183 00:10:07,640 --> 00:10:09,575 FROM LONDON AND SAN DIEGO. 184 00:10:09,642 --> 00:10:10,676 HI. 185 00:10:10,743 --> 00:10:13,679 AND OVER HERE, WE HAVE JEAN PAUL. 186 00:10:13,746 --> 00:10:17,216 HE'S FROM PARIS. HE'S BEEN HERE A WHILE. 187 00:10:17,283 --> 00:10:18,551 HELLO. 188 00:10:21,587 --> 00:10:22,655 EVERYONE! 189 00:10:23,322 --> 00:10:26,525 THIS IS MARIANNE AND AXEL. 190 00:10:26,592 --> 00:10:28,861 MARIANNE, EVERYBODY. 191 00:10:28,928 --> 00:10:29,929 HI. 192 00:10:31,530 --> 00:10:32,598 WHAT? 193 00:10:33,899 --> 00:10:36,535 NOW, KEEP YOUR EYE ON HIM. 194 00:10:36,602 --> 00:10:39,705 HE WILL TRANSFORM WHEN YOU'RE NOT LOOKING. 195 00:10:39,772 --> 00:10:41,974 HE CAN CHANGE WHEN YOU'RE NOT LOOKING. 196 00:10:43,142 --> 00:10:46,178 ) 197 00:11:19,612 --> 00:11:20,980 A POET. 198 00:11:21,047 --> 00:11:21,681 REALLY? 199 00:11:21,747 --> 00:11:23,149 I DON'T LOOK LIKE A POET? 200 00:11:23,215 --> 00:11:26,419 I MEAN, IT'S KIND OF HARD TO HANG ONE OF YOUR POEMS 201 00:11:26,485 --> 00:11:28,988 ON THE WALL IN LIEU OF YOUR RENT. 202 00:11:29,055 --> 00:11:30,256 HEY! 203 00:11:30,322 --> 00:11:31,323 FOR CHRIST'S SAKE, STANLEY, 204 00:11:31,390 --> 00:11:32,692 DON'T YOU HAVE A VACUUM CLEANER IN THE HOUSE? 205 00:11:32,758 --> 00:11:34,060 YEAH, OF COURSE, WE GOT LOTS OF THEM. 206 00:11:34,126 --> 00:11:37,096 THEN WHY AREN'T THEY EVER USED? 207 00:11:38,964 --> 00:11:40,733 SO, WHY THE CHELSEA? 208 00:11:40,800 --> 00:11:42,601 IT'S YOUR REPUTATION, MAN. 209 00:11:42,668 --> 00:11:44,103 THANK YOU. 210 00:11:44,170 --> 00:11:46,305 YOU AND THE HOTEL, YOU KNOW, I'VE HEARD YOU CAN STUMBLE IN 211 00:11:46,372 --> 00:11:51,777 AT FOUR A.M. WITH A LARGE, NINE-FOOT-TALL, ALBINO BEAR, 212 00:11:52,745 --> 00:11:55,648 FIVE HOOKERS ON YOUR ARM, DRUNK AS A SKUNK, 213 00:11:55,715 --> 00:11:57,383 AND THAT NO ONE BATS AN EYE. 214 00:11:59,618 --> 00:12:01,420 BUT THE AMENITIES AS WELL. 215 00:12:04,724 --> 00:12:05,791 ALL RIGHT. 216 00:12:06,692 --> 00:12:08,527 I'LL PUT YOU DOWN FOR INDEFINITELY. 217 00:12:08,594 --> 00:12:09,462 ALL RIGHT. 218 00:12:13,232 --> 00:12:15,167 WHAT'S YOUR NAME, WHAT'S YOUR FULL NAME? 219 00:12:15,234 --> 00:12:15,968 STANLEY BARD 220 00:12:16,035 --> 00:12:17,369 OKAY, VERY NICE. - YOU? 221 00:12:17,436 --> 00:12:18,237 LEONARD COHEN 222 00:12:18,304 --> 00:12:18,904 LEONARD, WELCOME. 223 00:12:18,971 --> 00:12:20,272 GREAT, THANK YOU. 224 00:12:20,339 --> 00:12:21,140 APPRECIATE IT. 225 00:12:21,207 --> 00:12:22,108 RIGHT THAT WAY. 226 00:12:25,778 --> 00:12:28,414 STANLEY, WHAT ROOM IS SHE IN? 227 00:12:28,481 --> 00:12:30,382 NONE OF YOUR BUSINESS. 228 00:13:05,117 --> 00:13:09,088 ♪ ME ♪ 229 00:13:09,155 --> 00:13:11,023 ♪ OH ♪ 230 00:13:17,763 --> 00:13:19,498 OH, IT'S A SNAKE. 231 00:13:24,203 --> 00:13:26,639 I'M ALL RIGHT, MAN, THANK YOU. 232 00:13:57,736 --> 00:13:58,804 SORRY. 233 00:13:59,538 --> 00:14:00,406 THANK YOU. 234 00:14:02,174 --> 00:14:03,442 SO LONG. 235 00:14:05,711 --> 00:14:09,081 HALLUCINOGENS DON'T EXPAND THE MIND, 236 00:14:09,148 --> 00:14:12,585 THEY SIMPLY OPEN THE MIND 237 00:14:12,651 --> 00:14:15,020 TO WHAT IS ALREADY THERE, 238 00:14:15,087 --> 00:14:17,523 TO YOUR AH, YOUR DEEPER SELF. 239 00:14:18,424 --> 00:14:21,260 A PLACE WITHOUT DECEPTION. 240 00:14:23,629 --> 00:14:25,297 I'M READY, MAYBE. 241 00:14:29,201 --> 00:14:31,403 SO, WHAT DO YOU DO, MARIANNE? 242 00:14:31,470 --> 00:14:34,940 I'VE BEEN MAKING SOME CLOTHES RECENTLY. 243 00:14:35,007 --> 00:14:37,276 OH. - I MADE THIS. 244 00:14:37,343 --> 00:14:38,544 NICE. - YEAH. 245 00:14:38,611 --> 00:14:41,780 ALSO, I'M QUITE A GOOD COOK, SO I'VE BEEN HIRED SOMETIMES 246 00:14:41,847 --> 00:14:44,683 TO DO A BIT OF COOKING FOR TOURIST PARTIES IN... 247 00:14:44,750 --> 00:14:45,885 RIGHT. 248 00:14:47,052 --> 00:14:49,421 WHAT ABOUT YOU, MANUELA, WHAT DO YOU DO? 249 00:14:50,389 --> 00:14:55,227 HM, WELL, I USED TO BE A SCHOOLTEACHER. 250 00:14:55,294 --> 00:14:56,228 OH? 251 00:14:56,295 --> 00:14:58,497 YEAH, UNTIL I REALISED I HATED CHILDREN. 252 00:14:59,899 --> 00:15:02,735 YOU KNOW, ONE DAY, I WAS HEADING TO WORK. 253 00:15:02,801 --> 00:15:06,038 I JUST PARKED OUTSIDE OF THE SCHOOL, AND THOUGHT TO MYSELF, 254 00:15:06,105 --> 00:15:08,707 "ANOTHER DAY, GLADIATOR-BATTLING 255 00:15:08,774 --> 00:15:10,743 THESE PSYCHOPATHIC SOCIOPATHS, 256 00:15:11,877 --> 00:15:14,146 WHO ONLY THINK ABOUT THEMSELVES." 257 00:15:14,213 --> 00:15:15,080 GOD! 258 00:15:16,415 --> 00:15:19,985 WENT AND GOT A BAG OF WEED, DROVE TO MEXICO, 259 00:15:20,052 --> 00:15:24,657 WHERE I MET JOHN, AND TAGGED ALONG WHEN HE CAME HERE. 260 00:15:24,723 --> 00:15:25,624 WOW! 261 00:15:25,691 --> 00:15:26,759 VOILA! 262 00:15:26,825 --> 00:15:27,993 VOILA! THAT'S AMAZING. 263 00:15:29,161 --> 00:15:30,429 SO, 264 00:15:30,496 --> 00:15:34,466 WHAT ARE YOU LOOKING FOR WHILE YOU'RE HERE? 265 00:15:36,702 --> 00:15:40,139 UM, I DON'T KNOW, I THINK... 266 00:15:41,907 --> 00:15:46,578 OPEN MY MIND AND AH, FIND MY OWN PATH, MAYBE. 267 00:15:47,846 --> 00:15:49,214 AREN'T WE ALL? 268 00:15:51,650 --> 00:15:52,918 CHEERS. - CHEERS TO THAT. 269 00:15:52,985 --> 00:15:55,054 THANK YOU SO MUCH FOR HAVING ME. 270 00:15:55,120 --> 00:15:57,690 IT'S GREAT TO HAVE YOU HERE. 271 00:16:00,993 --> 00:16:02,194 SUNKISSED. 272 00:16:06,165 --> 00:16:08,267 I COULD NEVER BE A WITCH. 273 00:16:16,175 --> 00:16:19,044 SORRY, CAN I GET ONE MORE SHOT OF GIN? 274 00:16:19,111 --> 00:16:20,446 YES, SIR. 275 00:16:22,014 --> 00:16:24,350 YOU'RE A WRITER, RIGHT? 276 00:16:26,618 --> 00:16:28,187 LEONARD COHEN 277 00:16:30,122 --> 00:16:33,959 I'VE READ YOUR BOOK. "BEAUTIFUL LOSERS." 278 00:16:34,026 --> 00:16:35,728 OH, YOU'RE THE GUY. 279 00:16:36,795 --> 00:16:38,430 IT'S A GREAT BOOK. 280 00:16:39,498 --> 00:16:43,068 THANK YOU, MAN, IT'S NOT WHAT THEY SAY IN CANADA. 281 00:16:45,337 --> 00:16:48,474 I'M LOU REED. YOU KNOW MY MUSIC? 282 00:16:50,709 --> 00:16:52,411 FORGIVE ME, NO, I DON'T. 283 00:16:53,112 --> 00:16:54,713 I'M NOT REALLY IN THE KNOW. 284 00:16:57,649 --> 00:17:00,986 YOU SHOULD STOP BY JUDY'S PARTY TONIGHT. 285 00:17:03,389 --> 00:17:04,256 OKAY. 286 00:17:05,257 --> 00:17:06,892 IT'S GOOD TO MEET YOU, MAN. 287 00:17:06,959 --> 00:17:09,294 YEAH, GREAT TO MEET YOU. 288 00:17:13,732 --> 00:17:14,933 IS HE A FAMOUS GUY? 289 00:17:15,000 --> 00:17:17,870 LOU REED? YEAH, MAN, . 290 00:17:17,936 --> 00:17:19,104 THANKS. 291 00:17:19,972 --> 00:17:22,541 ♪ NO WONDER IT'S ALL GO ♪ 292 00:17:26,011 --> 00:17:30,215 ♪ COMES FORWARD, THAT'S A RAZOR IN HIS MITT ♪ 293 00:17:30,282 --> 00:17:34,186 ♪ AND HE PUTS ON HIS DARK GLASSES ♪ 294 00:17:34,253 --> 00:17:38,123 ♪ AND HE SHOWS YOU WHERE TO HIT ♪ 295 00:17:38,190 --> 00:17:40,826 ♪ AND THEN THE CAMERAS PAN ♪ 296 00:17:40,893 --> 00:17:42,694 HE'S GONNA BE OKAY, AREN'T YOU? 297 00:17:42,761 --> 00:17:44,129 ♪ THE STAND IN ♪ 298 00:17:44,196 --> 00:17:45,631 TAKE IT EASY. 299 00:17:45,697 --> 00:17:48,567 ♪ STUNT MAN ♪ 300 00:17:48,634 --> 00:17:53,639 ♪ A DRESS REHEARSAL RAG ♪ 301 00:17:54,506 --> 00:17:58,644 ♪ IT'S JUST A DRESS REHEARSAL RAG ♪ 302 00:18:02,614 --> 00:18:04,983 I REALLY GOT A CROWD ON MY HANDS NOW. 303 00:18:05,050 --> 00:18:07,119 IT'S PRETTY GLOOMY. 304 00:18:07,186 --> 00:18:09,154 WELL, IT'S THE WAY I SEE LIFE, YOU KNOW. 305 00:18:09,221 --> 00:18:12,024 WELL, IT'S MY PERSPECTIVE ON THINGS. 306 00:18:12,091 --> 00:18:14,126 DO YOU GET DEPRESSED? 307 00:18:14,193 --> 00:18:16,462 NO, I'M BRIGHT AS THE SUNSHINE. 308 00:18:17,429 --> 00:18:19,498 YEAH, I DON'T SEE A REASON NOT TO BE. 309 00:18:20,666 --> 00:18:21,533 ME TOO. 310 00:18:22,701 --> 00:18:26,672 YOU KNOW, I TRIED TO COMMIT SUICIDE WHEN I WAS 14. 311 00:18:28,307 --> 00:18:29,508 WELL, I'M VERY HAPPY 312 00:18:29,575 --> 00:18:32,344 FOR YOUR LACK OF SUCCESS IN THE MATTER. 313 00:18:32,411 --> 00:18:33,278 YEAH. 314 00:18:33,345 --> 00:18:35,414 I'M JUDY COLLINS, BY THE WAY. 315 00:18:36,348 --> 00:18:38,817 PLEASURE TO MEET YOU, MISS COLLINS. 316 00:18:38,884 --> 00:18:40,452 HEY, PLAY ME ANOTHER ONE. 317 00:18:41,620 --> 00:18:46,625 WELL, I REALLY CAN'T SING, BUT I CAN FAKE MY WAY THROUGH. 318 00:19:05,844 --> 00:19:09,882 ♪ SUZANNE TAKES YOU DOWN ♪ 319 00:19:09,948 --> 00:19:13,785 ♪ TO HER PLACE NEAR THE RIVER ♪ 320 00:19:13,852 --> 00:19:16,989 ♪ YOU CAN HEAR THE BOATS GO BY ♪ 321 00:19:17,055 --> 00:19:21,193 ♪ YOU CAN SPEND THE NIGHT BESIDE HER ♪ 322 00:19:21,260 --> 00:19:25,464 ♪ AND YOU KNOW THAT SHE'S HALF CRAZY ♪ 323 00:19:25,531 --> 00:19:29,935 ♪ BUT THAT'S WHY YOU WANT TO BE THERE ♪ 324 00:19:33,138 --> 00:19:34,373 WANT TO LISTEN? 325 00:19:40,679 --> 00:19:41,747 HEAR ANYTHING? 326 00:19:42,247 --> 00:19:44,516 NO, NOT YET. 327 00:19:45,250 --> 00:19:47,386 TRY A LITTLE HIGHER. 328 00:19:48,987 --> 00:19:50,055 NOW? 329 00:19:50,455 --> 00:19:53,325 NO, NOTHING NOW EITHER. 330 00:19:53,759 --> 00:19:55,360 MAYBE SOON. 331 00:19:57,796 --> 00:19:58,931 COME HERE. 332 00:20:00,265 --> 00:20:02,234 NIGHTY-NIGHTY NIGHT. 333 00:20:02,701 --> 00:20:03,869 NIGHTY NIGHT. 334 00:20:04,670 --> 00:20:06,638 SLEEP TIGHT. 335 00:20:13,912 --> 00:20:17,516 ♪ SUZANNE TAKES YOU DOWN ♪ 336 00:20:17,583 --> 00:20:21,853 ♪ TO A PLACE NEAR THE RIVER ♪ 337 00:20:21,920 --> 00:20:25,524 ♪ YOU CAN HEAR THE BOATS GO BY ♪ 338 00:20:25,591 --> 00:20:29,661 ♪ YOU CAN SPEND THE NIGHT FOREVER ♪ 339 00:20:29,728 --> 00:20:33,465 ♪ AND I KNOW THAT SHE'S HALF CRAZY ♪ 340 00:20:33,532 --> 00:20:37,402 ♪ AND THAT'S WHY I WANT TO BE THERE ♪ 341 00:20:37,469 --> 00:20:41,506 ♪ AND SHE FEEDS YOU TEA AND ORANGES ♪ 342 00:20:41,573 --> 00:20:46,044 ♪ THAT COME ALL THE WAY FROM CHINA ♪ 343 00:20:46,111 --> 00:20:49,681 ♪ AND JUST WHEN YOU WANT TO TELL HER ♪ 344 00:20:49,748 --> 00:20:52,551 ♪ THAT YOU HAVE NO LOVE TO GIVE HER ♪ 345 00:20:52,618 --> 00:20:54,119 SHE'S GREAT. 346 00:20:54,186 --> 00:20:58,490 ♪ SHE GETS YOU ON HER WAVELENGTH ♪ 347 00:20:58,557 --> 00:21:01,627 ♪ AND LETS THE RIVER ANSWER ♪ 348 00:21:01,693 --> 00:21:06,431 ♪ THAT YOU'VE ALWAYS BEEN HER LOVER ♪ 349 00:21:06,498 --> 00:21:08,367 YOU GUYS LIKE IT? 350 00:21:10,369 --> 00:21:12,204 IT WAS VERY GOOD. 351 00:21:12,271 --> 00:21:13,205 THANKS, LENNY. 352 00:21:13,272 --> 00:21:14,206 IT WAS VERY GOOD. 353 00:21:14,273 --> 00:21:16,308 A HELL OF A SONG, JUDY. 354 00:21:16,375 --> 00:21:18,043 MAYBE YOU SHOULD COME SEE ME AT COLUMBIA. 355 00:21:18,110 --> 00:21:19,911 YOU'RE A WEEK TOO LATE, JOHN. 356 00:21:19,978 --> 00:21:21,713 I JUST SIGNED WITH ELEKTRA. 357 00:21:22,714 --> 00:21:23,849 WHO WROTE IT? 358 00:21:23,915 --> 00:21:25,484 LEONARD COHEN. 359 00:21:25,550 --> 00:21:27,819 WHO THE HELL IS LEONARD COHEN? 360 00:21:28,987 --> 00:21:30,589 LEONARD COHEN. 361 00:21:30,656 --> 00:21:32,758 THAT'S A TERRIFIC QUESTION. 362 00:21:33,625 --> 00:21:34,493 OKAY. 363 00:21:37,129 --> 00:21:38,797 YOU KNOW, I'M PLAYING A CHARITY GIG 364 00:21:38,864 --> 00:21:41,466 IN THE EAST VILLAGE NEXT MONTH, YOU SHOULD COME PLAY. 365 00:21:41,533 --> 00:21:44,036 OH, NO, I THINK IT WILL BE VERY UNCOMFORTABLE. 366 00:21:45,337 --> 00:21:47,039 YOU'RE NOT FOOLING ANYONE. 367 00:21:48,774 --> 00:21:49,741 HOW ABOUT THIS? 368 00:21:49,808 --> 00:21:52,678 THINK ABOUT IT, AND I'LL SEND YOU THE DETAILS. 369 00:21:52,744 --> 00:21:55,314 IT'S ME AND PETE SEEGER ON THE BILL SO FAR. 370 00:21:59,451 --> 00:22:01,887 WHAT HAVE YOU GOT? 371 00:22:01,953 --> 00:22:03,255 EVERYTHING. 372 00:22:03,322 --> 00:22:05,724 HASH, OPIUM, SPEED, 373 00:22:05,791 --> 00:22:06,958 UPPERS, DOWNERS. 374 00:22:07,025 --> 00:22:07,926 THE CLAP. 375 00:22:09,861 --> 00:22:11,496 THAT LAST ONE WAS A JOKE. 376 00:22:12,164 --> 00:22:14,032 IT'S NORWEGIAN? 377 00:22:14,099 --> 00:22:15,167 SWEDISH. 378 00:22:15,233 --> 00:22:16,735 HOW DID YOU KNOW? 379 00:22:17,469 --> 00:22:18,603 UM... 380 00:22:19,504 --> 00:22:21,139 WHAT DO YOU WANT? 381 00:22:21,206 --> 00:22:23,275 ANYTHING. 382 00:22:23,342 --> 00:22:24,776 OKAY. 383 00:22:29,948 --> 00:22:31,650 THAT LOOKS FUN. 384 00:22:31,717 --> 00:22:33,952 IT'S SUPER FUN. YOU WANT FUN? 385 00:22:34,019 --> 00:22:35,020 SURE. 386 00:22:53,405 --> 00:22:57,275 ♪ SUZANNE TAKES YOU DOWN ♪ 387 00:22:57,342 --> 00:23:01,413 ♪ TO HER PLACE NEAR THE RIVER ♪ 388 00:23:28,840 --> 00:23:31,309 THIS IS LONG DISTANCE, 389 00:23:31,376 --> 00:23:33,211 HOW MAY I DIRECT YOUR CALL? 390 00:23:37,416 --> 00:23:39,251 YOU KNOW, I CAN 391 00:23:39,317 --> 00:23:42,120 SEE THE PAIN AND THE BEAUTY. 392 00:23:42,187 --> 00:23:45,223 I THINK THAT I REALISED, YOU KNOW, FOR ALL OF THAT PAIN 393 00:23:45,290 --> 00:23:48,527 AND THE BEAUTY TO BECOME A POEM, FOR INSTANCE, YOU KNOW, 394 00:23:48,593 --> 00:23:51,530 IT'S NOT ENOUGH TO JUST MOULD IT 395 00:23:51,596 --> 00:23:55,033 BY RECITING OR SINGING OR WRITING A NOVEL. 396 00:23:55,100 --> 00:23:57,536 YOU KNOW, YOU NEED... 397 00:23:57,602 --> 00:24:01,873 YOU NEED TO HAVE SOMEBODY WHO IS LISTENING, 398 00:24:01,940 --> 00:24:06,011 AND SOMEONE WHO YOU CAN GIVE IT TO, 399 00:24:06,077 --> 00:24:08,447 SOMEONE IMAGINED OR REAL. 400 00:24:10,482 --> 00:24:13,452 AND I KNOW, I KNOW THAT I AM SHOWING HIM 401 00:24:13,518 --> 00:24:15,420 JUST AS MUCH AS HE IS SHOWING ME. 402 00:24:15,487 --> 00:24:16,588 HM. - OH YEAH. 403 00:24:17,622 --> 00:24:20,058 I THINK FICTION IS JUST A NECESSITY 404 00:24:20,125 --> 00:24:21,560 TO BE ABLE TO ENJOY LIFE. 405 00:24:23,495 --> 00:24:25,964 IT DOESN'T MATTER IF YOU WRITE IT DOWN OR NOT. 406 00:24:27,365 --> 00:24:30,168 IF YOU CAN'T REWRITE REALITY 407 00:24:30,235 --> 00:24:31,703 IN YOUR OWN MIND, 408 00:24:32,604 --> 00:24:34,506 MAKE IT SOMETHING YOU CAN LIVE WITH, 409 00:24:36,141 --> 00:24:37,509 YOU BECOME SUICIDAL. 410 00:24:38,276 --> 00:24:39,778 WHAT DO YOU MEAN? 411 00:24:39,845 --> 00:24:42,013 WELL, THAT'S WHAT WE ALL DO, ISN'T IT? 412 00:24:44,316 --> 00:24:46,485 WE TAKE WHAT ARE FACTS, 413 00:24:48,253 --> 00:24:49,120 AND... 414 00:24:51,122 --> 00:24:54,025 ADJUST THEM TO SOMETHING WE CAN MANAGE TO LIVE WITH. 415 00:24:55,660 --> 00:24:59,764 WE LIE TO OURSELVES TO MAKE LIFE LESS CRUEL. 416 00:25:01,700 --> 00:25:03,935 OR YOU DON'T GIVE A FUCK. 417 00:25:04,002 --> 00:25:06,505 GO FOR COMPLETE HONESTY, 418 00:25:07,439 --> 00:25:09,241 AND JUST STAY HIGH. 419 00:25:09,307 --> 00:25:11,810 YEAH. 420 00:25:13,211 --> 00:25:14,212 OH, MAN. 421 00:25:17,082 --> 00:25:19,918 THIS IS WNYC, HENRIETTE YURCHENCO, 422 00:25:19,985 --> 00:25:23,688 BRINGING YOU THE BEST OF NEW YORK'S FOLK AND BLUES. 423 00:25:23,755 --> 00:25:25,824 NEXT UP, JUDY COLLINS WITH "SUZANNE." 424 00:25:26,825 --> 00:25:30,228 ♪ SUZANNE TAKES YOU DOWN ♪ 425 00:25:30,295 --> 00:25:34,332 ♪ TO A PLACE BY THE RIVER ♪ 426 00:25:34,399 --> 00:25:38,503 ♪ YOU CAN HEAR THE BOATS GO BY ♪ 427 00:25:38,570 --> 00:25:39,938 ♪ YOU CAN SPEND THE NIGHT FOREVER ♪ 428 00:25:40,005 --> 00:25:42,807 I DON'T KNOW WHERE THE SONGS COME FROM. 429 00:25:42,874 --> 00:25:47,279 I SUPPOSE YOU HAVE TO LEAVE YOUR CHANNEL OPEN. 430 00:25:47,345 --> 00:25:49,014 BUT OFTEN, YOU KNOW, SOMETHING CLICKS, 431 00:25:49,080 --> 00:25:51,516 AND YOU FEEL YOU'RE IN CONTACT WITH SOMETHING. 432 00:25:51,583 --> 00:25:52,751 HM. 433 00:25:52,817 --> 00:25:54,152 OR RATHER, SOMETHING'S IN CONTACT WITH YOU. 434 00:25:54,219 --> 00:25:56,621 I LIKE THAT. GOOD PUNCHLINE. 435 00:25:56,688 --> 00:25:57,789 THANK YOU SO MUCH. 436 00:25:57,856 --> 00:25:59,224 THANK YOU. I'LL SEE YOU AROUND, MAN. 437 00:25:59,291 --> 00:26:00,425 THE WAY OUT IS THE WINDOW. 438 00:26:00,492 --> 00:26:01,626 THE WINDOW? I'LL REMEMBER THAT. 439 00:26:01,693 --> 00:26:02,861 YOU JUMP OUT OF THE WINDOW, YEAH. 440 00:26:02,928 --> 00:26:04,663 JUMP? I'LL GO FIRST. - YEAH, GREAT. 441 00:26:05,864 --> 00:26:07,032 LEONARD. 442 00:26:08,066 --> 00:26:09,601 COME SIT OVER HERE. 443 00:26:13,104 --> 00:26:14,306 ALL RIGHT. 444 00:26:18,743 --> 00:26:21,246 HI, I'LL JUST SLIDE IN. 445 00:26:26,184 --> 00:26:27,552 I'M LEONARD, BY THE WAY. 446 00:26:32,324 --> 00:26:33,191 NICO 447 00:26:34,225 --> 00:26:35,560 NICO. 448 00:26:35,627 --> 00:26:36,895 VERY NICE NAME. 449 00:26:39,097 --> 00:26:42,100 REMINDS ME, ACTUALLY, OF WHEN NICO AND I MET. 450 00:26:42,167 --> 00:26:44,069 NICO, TELL THE STORY. 451 00:26:45,637 --> 00:26:48,740 I MET HIM AT THE CASTLE. 452 00:26:49,641 --> 00:26:51,276 WE DANCED, 453 00:26:51,343 --> 00:26:53,745 A MARQUIS DE SADE DANCE. 454 00:26:53,979 --> 00:26:55,146 IT WAS VERY... 455 00:26:55,513 --> 00:26:56,915 PERVERTED. 456 00:26:57,382 --> 00:26:59,584 LIKE BEAUTIFUL PEOPLE. 457 00:27:02,621 --> 00:27:05,790 YOU'RE FROM THE NORTH POLE, CANADA? 458 00:27:05,857 --> 00:27:08,460 RIGHT, YEAH, MY MOTHER CALLS ME SANTA CLAUS. 459 00:27:08,526 --> 00:27:11,196 I'VE GOT THE REINDEER IN ROOM 224 460 00:27:11,262 --> 00:27:13,331 IF YOU'D LIKE TO TAKE A RIDE. 461 00:27:13,398 --> 00:27:14,599 HM, 462 00:27:14,666 --> 00:27:15,867 AND WHAT DO YOU DO? 463 00:27:19,170 --> 00:27:23,875 WELL, THEN, I JUST ESCAPED FROM VERDUN MENTAL HOSPITAL. 464 00:27:25,443 --> 00:27:27,245 HAS ANYONE EVER STAYED THERE? 465 00:27:28,146 --> 00:27:30,682 I WAS VISITING A FRIEND, AND I ASKED HIM, 466 00:27:30,749 --> 00:27:32,751 "WHERE CAN I GET A COFFEE?" 467 00:27:32,817 --> 00:27:35,153 HE SAID, "DOWNSTAIRS." 468 00:27:35,220 --> 00:27:39,758 IT WAS A HOT AFTERNOON, I REMEMBER AND I REMOVED MY JACKET, 469 00:27:39,824 --> 00:27:40,992 AND I LEFT IT WITH MY FRIEND, 470 00:27:41,059 --> 00:27:44,562 WHO, THOUGH MENTALLY ILL, WAS NO THIEF. 471 00:27:44,629 --> 00:27:47,198 BUT AS I WAS DOWNSTAIRS DRINKING MY COFFEE, 472 00:27:47,265 --> 00:27:50,802 TWO LARGE MEN IN WHITE UNIFORMS COME TOWARD ME. 473 00:27:50,869 --> 00:27:53,104 AND ONE OF THEM LOOKS AT ME AND HE SAYS, 474 00:27:53,171 --> 00:27:56,474 "WHERE ARE YOU SUPPOSED TO BE RIGHT NOW?" 475 00:27:56,541 --> 00:27:59,344 I SAID, "IN THE CAFETERIA." 476 00:27:59,411 --> 00:28:01,012 THEY NODDED TO EACH OTHER. 477 00:28:02,313 --> 00:28:06,251 "YEAH. WHERE ARE YOU SUPPOSED TO BE RIGHT NOW?" 478 00:28:06,317 --> 00:28:08,086 "IN THE CAFETERIA!" 479 00:28:08,153 --> 00:28:10,055 SO MUCH SO THAT, AFTER THREE OR FOUR TIMES 480 00:28:10,121 --> 00:28:13,258 OF INTERROGATING ME, I FOUND THAT I WAS SHOUTING, 481 00:28:13,324 --> 00:28:16,061 AND SHOVING THEM ASIDE, AND RACING DOWN THE CORRIDOR, 482 00:28:16,127 --> 00:28:19,197 AND THEY WERE CHASING ME, AND I WAS RUNNING UPSTAIRS. 483 00:28:19,264 --> 00:28:21,199 AND IT WASN'T UNTIL A GUARD IDENTIFIED ME 484 00:28:21,266 --> 00:28:24,269 THAT I WAS ALLOWED TO GO BACK TO MY FRIEND, 485 00:28:24,335 --> 00:28:26,337 WHO HAD EATEN MY JACKET. 486 00:28:35,313 --> 00:28:38,717 IT'S A PLEASURE TO MAKE YOUR ACQUAINTANCE, MR... 487 00:28:38,783 --> 00:28:41,252 MR. CLAUS, I THOUGHT WE'D BEEN THROUGH THIS. 488 00:28:41,319 --> 00:28:44,489 I'M THE EASTER BUNNY, AND THIS IS THE TOOTH FAIRY. 489 00:28:46,758 --> 00:28:49,360 WHICH MYTHOLOGICAL FIGURE ARE YOU? 490 00:28:51,796 --> 00:28:53,932 BOTH DAVID AND GOLIATH. 491 00:28:56,835 --> 00:29:00,004 IF YOU CAN HEAR ME, JUST DON'T SAY ANYTHING. 492 00:29:00,071 --> 00:29:02,474 SHE'S MINERVA, THE QUEEN OF WINTER. 493 00:29:02,540 --> 00:29:03,842 QUEEN OF WINTER? 494 00:29:23,695 --> 00:29:24,796 UH! 495 00:29:51,790 --> 00:29:56,928 ♪ I CANNOT FIND YOU, MY LOVE ♪ 496 00:29:59,631 --> 00:30:04,836 ♪ I CANNOT FOLLOW YOU, MY LOVE ♪ 497 00:30:05,570 --> 00:30:10,775 ♪ YOU CANNOT FOLLOW ME ♪ 498 00:30:11,709 --> 00:30:15,680 ♪ AND THE DISTANCE YOU PUT BETWEEN ♪ 499 00:30:15,747 --> 00:30:20,318 ♪ ALL OF THE MOMENTS THAT WE WILL BE ♪ 500 00:30:23,688 --> 00:30:24,823 TAKE A BUTTON. 501 00:30:24,889 --> 00:30:27,325 ♪ YOU KNOW WHO I AM ♪ 502 00:30:27,392 --> 00:30:29,627 CHEW IT SLOWLY. 503 00:30:29,694 --> 00:30:33,765 ♪ YOU STARE AT THE SUN ♪ 504 00:30:33,832 --> 00:30:37,969 ♪ WELL, I AM THE ONE WHO LOVES CHANGING ♪ 505 00:30:38,036 --> 00:30:41,406 ♪ FROM NOTHING TO ONE ♪ 506 00:30:41,472 --> 00:30:43,007 HOW LONG DOES IT LAST? 507 00:30:43,741 --> 00:30:45,076 TIME? 508 00:30:46,611 --> 00:30:47,812 WHAT'S TIME? 509 00:30:48,713 --> 00:30:50,315 DON'T FIGHT IT. 510 00:30:50,381 --> 00:30:52,417 LET YOURSELF DRIFT. 511 00:30:58,690 --> 00:31:03,261 ♪ I NEED YOU TO SUCK ME DRY ♪ 512 00:31:03,328 --> 00:31:05,864 ♪ I NEED YOU ♪ 513 00:31:05,930 --> 00:31:09,534 ♪ I NEED YOU LIKE A CHILD ♪ 514 00:31:20,778 --> 00:31:25,149 ♪ I NEED YOU TO CARRY MY CHILDREN ♪ 515 00:31:25,216 --> 00:31:29,520 ♪ AND I NEED YOU TO KILL A CHILD ♪ 516 00:34:01,539 --> 00:34:05,009 DID YOU FIND IT? 517 00:34:06,744 --> 00:34:07,612 IN LIGHT? 518 00:34:08,513 --> 00:34:10,148 IN THE DARKNESS? 519 00:34:18,556 --> 00:34:20,558 I JUST SAW THROUGH ME. 520 00:34:21,492 --> 00:34:25,029 WHAT DID YOU SEE? 521 00:34:39,010 --> 00:34:41,546 DO YOU THINK THAT SOMETIMES WE JUST... 522 00:34:43,581 --> 00:34:46,551 YOU WANNA BELIEVE EVEN THOUGH ALL THE EVIDENCE IS... 523 00:34:48,319 --> 00:34:49,220 THERE? 524 00:34:54,025 --> 00:34:56,260 STAY A FEW MORE DAYS. 525 00:34:57,261 --> 00:34:58,629 WE'RE GOING HOME. 526 00:35:10,741 --> 00:35:12,810 ♪ YOU KNOW WHO I AM ♪ 527 00:35:15,413 --> 00:35:19,984 ♪ YOU STARED AT THE SUN ♪ 528 00:35:20,051 --> 00:35:22,386 ♪ WELL, I AM THE ONE ♪ 529 00:35:22,453 --> 00:35:27,258 ♪ WHO LOVES CHANGING FROM NOTHING TO ONE ♪ 530 00:35:57,655 --> 00:35:58,556 YEAH. 531 00:36:00,625 --> 00:36:01,526 YOU'VE GOT IT. 532 00:36:07,665 --> 00:36:10,368 I DON'T KNOW WHAT YOU KNOW ABOUT ME, LEONARD. 533 00:36:11,402 --> 00:36:15,206 WELL, SHE TOLD ME YOU SIGNED, AH, 534 00:36:15,273 --> 00:36:17,975 DYLAN BEFORE HE WAS MR. BOB DYLAN. 535 00:36:18,042 --> 00:36:19,410 YES, I DID. 536 00:36:19,477 --> 00:36:23,614 I DID, I ALSO SIGNED BILLIE HOLIDAY, ARETHA FRANKLIN. 537 00:36:23,681 --> 00:36:24,916 I SIGNED A LOT. 538 00:36:26,083 --> 00:36:29,053 MOSTLY, I SIGNED ARTISTS YOU NEVER HEARD FROM AGAIN, THOUGH. 539 00:36:29,120 --> 00:36:30,254 BUT ANYWAY, EITHER WAY, 540 00:36:30,321 --> 00:36:32,023 MY BOSSES DON'T CARE WHAT I DID YESTERDAY. 541 00:36:32,089 --> 00:36:33,157 THEY LIKE TO PLAY A LITTLE GAME 542 00:36:33,224 --> 00:36:35,326 THAT'S A LOT LIKE BASEBALL, LEONARD. 543 00:36:35,393 --> 00:36:38,329 YOU'RE CANADIAN, I CAN EXPLAIN IT TO YOU IF YOU LIKE. 544 00:36:39,630 --> 00:36:42,166 THEY HURL BALLS AT YOU, AND YOU SWING AT THE ONES 545 00:36:42,233 --> 00:36:43,901 YOU THINK ARE GONNA BE HITS. 546 00:36:43,968 --> 00:36:46,604 IF YOU MISS THREE TIMES, YOU'RE OUT. 547 00:36:46,671 --> 00:36:49,340 OF COURSE, YOU CAN CHOOSE NOT TO SWING AT THEM, 548 00:36:49,407 --> 00:36:51,309 BUT IF THEY BECOME HITS AT ANOTHER LABEL, 549 00:36:51,375 --> 00:36:53,778 WELL, YOU'RE ALSO OUT. 550 00:36:56,080 --> 00:36:58,282 HOW MANY STRIKES DO YOU HAVE LEFT? 551 00:36:58,349 --> 00:36:59,684 OH, YOU DO KNOW THE GAME. 552 00:36:59,750 --> 00:37:03,120 I HAVE ONE, LEONARD, AND THAT'S YOU, POTENTIALLY. 553 00:37:03,187 --> 00:37:05,389 I TOLD MY BOSS I WAS THINKING OF SIGNING YOU, 554 00:37:05,456 --> 00:37:07,658 AND HE ASKED ME IF I WAS OUT OF MY MIND. 555 00:37:08,726 --> 00:37:10,995 HE SAID, "A 32-YEAR-OLD POET, HUH?" 556 00:37:11,062 --> 00:37:15,233 WELL, I REALLY FEEL MUCH OLDER, IF THAT'S ANY CONSOLATION. 557 00:37:15,299 --> 00:37:18,469 OH, THAT'S HUGE, YEAH, THAT'LL HELP THE PITCH. 558 00:37:21,239 --> 00:37:23,741 LISTEN, I LIKE THE STUFF YOU PLAYED ME, I DO. 559 00:37:23,808 --> 00:37:24,976 THANK YOU. 560 00:37:25,042 --> 00:37:29,680 MY FEAR IS THAT YOU DON'T HAVE ENOUGH GOOD MATERIAL. 561 00:37:31,616 --> 00:37:33,150 I AGREE WITH YOU COMPLETELY. 562 00:37:33,217 --> 00:37:35,786 I MEAN, I DON'T KNOW IF THE SONGS ARE THERE YET. 563 00:37:37,388 --> 00:37:39,423 BUT I HAVE SOME MORE SONGS THAT I'VE WRITTEN 564 00:37:39,490 --> 00:37:41,125 THAT I RECORDED IN THE BATHROOM. 565 00:37:41,192 --> 00:37:43,261 IT MAKES MY VOICE A LITTLE MORE TOLERABLE. 566 00:37:43,327 --> 00:37:45,062 IN THE BATHROOM? 567 00:37:45,129 --> 00:37:46,230 BUT I HAVE THOSE TAPES. 568 00:37:46,297 --> 00:37:47,265 YOU DO? - YEAH. 569 00:37:47,331 --> 00:37:49,233 WELL, LET'S LISTEN TO THEM. 570 00:37:49,300 --> 00:37:50,701 DO YOU MEAN NOW? 571 00:37:50,768 --> 00:37:51,869 YES. - OKAY. 572 00:37:51,936 --> 00:37:53,671 YOU'RE AT THE CHELSEA, YEAH? 573 00:37:53,738 --> 00:37:54,705 RIGHT. 574 00:37:54,772 --> 00:37:56,707 IT'S RIGHT AROUND THE CORNER, MY FRIEND. 575 00:37:59,076 --> 00:38:00,645 SO, WHAT DID HE SAY THEN? 576 00:38:01,412 --> 00:38:03,381 HE SAID THAT I'VE GOT IT. 577 00:38:03,447 --> 00:38:04,749 YOU GOT WHAT? 578 00:38:04,815 --> 00:38:06,450 THAT'S WHAT I SAID. - YOU HAVE TALENT. 579 00:38:06,517 --> 00:38:07,885 THAT'S FOR SURE, YOU GOT TALENT. 580 00:38:07,952 --> 00:38:09,854 I'M NOT SURE THAT'S WHAT HE WAS SAYING. 581 00:38:09,920 --> 00:38:11,489 YOU KNOW, AMERICAN BULLSHIT, BULLSHIT. 582 00:38:11,555 --> 00:38:14,558 HE SAID HE'S TALKING WITH THE RECORD COMPANY, 583 00:38:14,625 --> 00:38:16,594 AND SEEING IF THEY'LL SIGN ME. 584 00:38:16,661 --> 00:38:18,996 JUST WAIT, YOU'LL GET IT. 585 00:38:19,063 --> 00:38:21,599 YOU ALWAYS GET IT, DON'T YOU? 586 00:38:21,666 --> 00:38:22,266 GET WHAT? 587 00:38:22,333 --> 00:38:23,534 WHAT YOU NEED. 588 00:38:23,601 --> 00:38:26,003 YOU'VE ALWAYS GOTTEN WHAT YOU NEED, 589 00:38:26,070 --> 00:38:27,371 IN THE END. 590 00:38:30,207 --> 00:38:33,110 I WANT TO PUT HER IN MY DRINK. 591 00:38:33,177 --> 00:38:36,547 SHE'S A NAZI. SHE'S A GERMAN. 592 00:38:36,614 --> 00:38:39,583 BUT IF YOU ABSOLUTELY HAVE TO FUCK HER, 593 00:38:40,217 --> 00:38:43,654 REVENGE OUR PEOPLE. 594 00:38:43,721 --> 00:38:46,824 SHE DOESN'T LIKE ME, IRVING, SHE SAID I WAS TOO OLD. 595 00:38:46,891 --> 00:38:50,061 OH, SHE'S A GERMAN, YOU CAN'T TRUST THEM. 596 00:38:51,228 --> 00:38:53,898 WHY DO YOU WANT HER? YOU'VE GOT MARIANNE. 597 00:38:54,932 --> 00:38:58,002 MARIANNE. 598 00:38:58,069 --> 00:38:59,036 MARIANNE. 599 00:38:59,103 --> 00:38:59,970 MARIANNE. 600 00:39:00,037 --> 00:39:01,272 MARIANNE. 601 00:39:01,339 --> 00:39:02,973 DON'T WORRY, THAT'S WHAT I'M THINKING OF ALL DAY. 602 00:39:03,040 --> 00:39:04,175 IT KILLS ME. - YEAH. 603 00:39:04,241 --> 00:39:06,143 I TRY TO WRITE HER, 604 00:39:06,210 --> 00:39:08,946 BUT WHAT, WHAT CAN YOU SAY? 605 00:39:09,013 --> 00:39:12,683 I FEEL THAT WE NEED THIS KIND OF DISTANCE. 606 00:39:12,750 --> 00:39:17,355 AND PERHAPS, IT'S A GROTESQUE JUSTIFICATION, 607 00:39:17,421 --> 00:39:19,690 BUT I FEEL WE'RE SUFFOCATING A BEAUTIFUL BUTTERFLY. 608 00:39:19,757 --> 00:39:22,259 OH, FUCKING, JESUS FUCKING CHRIST, LENNY! 609 00:39:22,326 --> 00:39:23,761 YOU SOUND LIKE... 610 00:39:24,895 --> 00:39:25,830 JANE AUSTEN. 611 00:39:28,866 --> 00:39:30,568 GIVE ME YOUR HAND. 612 00:39:33,170 --> 00:39:34,839 ARE YOU REALLY GOING UP THERE, 613 00:39:34,905 --> 00:39:38,676 AND SING AND PLAY IN FRONT OF AN AUDIENCE? 614 00:39:38,743 --> 00:39:40,978 I DON'T KNOW, I SAID YES. 615 00:39:41,045 --> 00:39:44,081 I CAN ALWAYS SMASH MY GUITAR BEFORE I GO ON. 616 00:39:44,148 --> 00:39:47,752 DON'T EVER DOUBT YOUR POETRY. 617 00:39:51,389 --> 00:39:53,924 NOW CAN WE GET SOME DRUGS ON THE TABLE? 618 00:39:58,529 --> 00:40:00,865 BACK ALREADY? - YES. 619 00:40:00,931 --> 00:40:01,999 HOW WAS IT? 620 00:40:03,534 --> 00:40:04,935 LEONARD SAYS HI. 621 00:40:06,003 --> 00:40:08,439 HE CALLED THE HOUSE BUT NO ONE ANSWERED, 622 00:40:08,506 --> 00:40:11,041 SO HE CALLED HERE TO SEE IF YOU WERE HERE. 623 00:40:12,576 --> 00:40:13,911 DID HE SAY... 624 00:40:14,378 --> 00:40:17,214 DID HE SAY IF HE WAS COMING BACK OR ANYTHING? 625 00:40:17,281 --> 00:40:20,818 NO, HE DIDN'T MENTION THAT OR SAY ANYTHING IN PARTICULAR. 626 00:40:22,086 --> 00:40:23,454 HOW... 627 00:40:23,821 --> 00:40:24,989 DID HE SEEM? 628 00:40:26,524 --> 00:40:27,825 HARD TO SAY. 629 00:40:28,526 --> 00:40:30,394 HE SOUNDED HAPPY. 630 00:40:31,495 --> 00:40:33,330 OR AS HAPPY AS LEONARD CAN BE. 631 00:40:33,397 --> 00:40:34,665 LET'S GO. 632 00:40:40,371 --> 00:40:41,772 MARIANNE? 633 00:40:41,839 --> 00:40:42,940 ARE YOU OKAY? 634 00:40:53,851 --> 00:40:55,820 YOU'RE DISGUSTING. 635 00:41:01,058 --> 00:41:05,262 ♪ SUZANNE TAKES YOU DOWN ♪ 636 00:41:05,329 --> 00:41:09,366 ♪ TO HER PLACE NEAR THE RIVER ♪ 637 00:41:09,433 --> 00:41:12,837 ♪ YOU CAN HEAR THE BOATS GO BY ♪ 638 00:41:12,903 --> 00:41:16,407 ♪ YOU CAN SPEND THE NIGHT BESIDE HER ♪ 639 00:41:16,474 --> 00:41:19,844 ♪ AND YOU KNOW THAT SHE'S HALF, AH ♪ 640 00:41:19,910 --> 00:41:20,778 AH! 641 00:41:21,745 --> 00:41:24,582 ♪ AND YOU KNOW THAT SHE'S HALF ♪ 642 00:41:24,648 --> 00:41:27,885 ♪ AND YOU KNOW THAT SHE'S HALF CRAZY ♪ 643 00:41:27,952 --> 00:41:29,854 UH! 644 00:41:30,921 --> 00:41:32,223 FUCKING SHIT! 645 00:41:32,289 --> 00:41:33,357 FUCKING THING! 646 00:41:33,424 --> 00:41:34,291 ♪ MARIANNE ♪ 647 00:41:34,358 --> 00:41:35,493 YOU FUCKING IDIOT! 648 00:41:35,559 --> 00:41:40,764 ♪ MARIANNE AT THE EDGE OF THE RIVER ♪ 649 00:41:41,499 --> 00:41:44,935 ♪ AND YOU KNOW SHE'S CRAZY ♪ 650 00:41:57,581 --> 00:41:59,483 HELLO? 651 00:42:00,417 --> 00:42:02,920 HI, MY LOVE. 652 00:42:02,987 --> 00:42:04,588 HI. 653 00:42:04,655 --> 00:42:06,624 WHERE ON EARTH ARE YOU? 654 00:42:06,690 --> 00:42:08,626 OH, I'M NOT ON EARTH. 655 00:42:09,660 --> 00:42:12,763 I'VE LANDED IN A COMPLETELY DIFFERENT PLANET. 656 00:42:13,597 --> 00:42:15,065 I HAVE NO MAP HERE. 657 00:42:16,400 --> 00:42:17,635 WHAT'S WRONG? 658 00:42:18,802 --> 00:42:22,940 SORRY, I'M ABOUT TO GO TO A THEATRE, 659 00:42:23,007 --> 00:42:25,175 AND GO PERFORM. 660 00:42:25,242 --> 00:42:27,611 I'M THE SECRET GUEST ARTIST. 661 00:42:29,079 --> 00:42:32,249 THERE ARE 3,000 PEOPLE WAITING THERE FOR ME. 662 00:42:35,653 --> 00:42:40,291 I'VE NEVER FELT SO UNSURE, EVER, 663 00:42:40,357 --> 00:42:43,661 AND I'M SCARED, MARIANNE, I SOUND LIKE A LITTLE BOY, I KNOW, 664 00:42:43,727 --> 00:42:45,763 BUT I'M JUST VERY, VERY SCARED. 665 00:42:48,165 --> 00:42:50,568 I'M GOING TO SING MY HIT. 666 00:42:51,201 --> 00:42:54,638 YOU KNOW, I'M GOING TO BE A HIT, 667 00:42:54,705 --> 00:42:56,473 AND I CAN'T EVEN SING. 668 00:42:57,741 --> 00:42:58,876 I KNOW THAT YOU CAN. 669 00:42:58,943 --> 00:43:01,245 AND THIS IS WHAT YOU WANTED, ISN'T IT? 670 00:43:01,312 --> 00:43:04,114 YOU CAN, YOU CAN BE A SINGER. 671 00:43:05,583 --> 00:43:08,252 I DON'T KNOW IF I DO WANT IT. 672 00:43:09,486 --> 00:43:13,223 I'M AFRAID THAT IF I WALK OUT THERE, 673 00:43:13,290 --> 00:43:15,926 THEN EVERYTHING WE KNOW IS GONE. 674 00:43:29,206 --> 00:43:31,308 I SUPPOSE I SHOULD GO. 675 00:43:36,080 --> 00:43:36,947 MM-HM. 676 00:43:47,691 --> 00:43:50,961 YOU'VE ALL HEARD MY SONG, "SUZANNE" 677 00:43:51,028 --> 00:43:53,564 ON MY LATEST ALBUM, THANK YOU. 678 00:43:53,631 --> 00:43:55,099 AND TONIGHT, OUT OF THE SHADOWS, 679 00:43:55,165 --> 00:43:58,836 I BROUGHT THE MAN WHO WROTE THAT GREAT SONG, LEONARD COHEN. 680 00:44:30,367 --> 00:44:32,703 THE GUITAR HAS FEATHERS TODAY. 681 00:44:53,957 --> 00:44:58,062 ♪ SUZANNE TAKES YOU DOWN ♪ 682 00:44:58,128 --> 00:45:02,900 ♪ TO HER PLACE NEAR THE RIVER ♪ 683 00:45:02,966 --> 00:45:06,036 ♪ YOU CAN HEAR THE BOATS GO BY ♪ 684 00:45:06,103 --> 00:45:10,574 ♪ YOU CAN SPEND THE NIGHT BESIDE HER ♪ 685 00:45:10,641 --> 00:45:15,379 ♪ AND YOU KNOW SHE'S CRAZY ♪ 686 00:45:15,446 --> 00:45:16,880 ♪ THAT'S WHY ♪ 687 00:45:28,692 --> 00:45:31,528 EVERYBODY, AH, IT'S LEONARD'S FIRST TIME 688 00:45:31,595 --> 00:45:33,630 IN FRONT OF A BIG AUDIENCE. 689 00:45:35,132 --> 00:45:38,302 LET'S SEE IF WE CAN GET HIM BACK OUT HERE AGAIN. 690 00:45:57,554 --> 00:46:00,190 I THINK I'LL START THIS ONE, SHALL I? 691 00:46:06,930 --> 00:46:10,801 ♪ SUZANNE TAKES YOU DOWN ♪ 692 00:46:10,868 --> 00:46:14,605 ♪ TO A PLACE BY THE RIVER ♪ 693 00:46:14,671 --> 00:46:18,842 ♪ YOU CAN HEAR THE BOATS GO BY ♪ 694 00:46:18,909 --> 00:46:22,846 ♪ YOU CAN SPEND THE NIGHT FOREVER ♪ 695 00:46:22,913 --> 00:46:26,984 ♪ AND YOU KNOW THAT SHE'S HALF CRAZY ♪ 696 00:46:27,050 --> 00:46:31,121 ♪ AND THAT'S WHY YOU WANT TO BE THERE ♪ 697 00:46:31,188 --> 00:46:35,225 ♪ AND SHE FEEDS YOU TEA AND ORANGES ♪ 698 00:46:35,292 --> 00:46:39,830 ♪ THAT COME ALL THE WAY FROM CHINA ♪ 699 00:46:39,897 --> 00:46:43,600 ♪ AND JUST WHEN YOU WANT TO TELL HER ♪ 700 00:46:43,667 --> 00:46:47,938 ♪ THAT YOU HAVE NO LOVE TO GIVE HER ♪ 701 00:46:48,005 --> 00:46:52,409 ♪ SHE GETS YOU ON HER WAVELENGTH ♪ 702 00:46:52,476 --> 00:46:56,013 ♪ AND LETS THE RIVER ANSWER ♪ 703 00:46:56,079 --> 00:47:01,318 ♪ THAT YOU'VE ALWAYS BEEN HER LOVER ♪ 704 00:47:03,921 --> 00:47:08,659 ♪ AND YOU WANT TO TRAVEL WITH HER ♪ 705 00:47:08,725 --> 00:47:12,196 ♪ YOU WANT TO TRAVEL BLIND ♪ 706 00:47:12,262 --> 00:47:16,633 ♪ AND YOU THINK YOU'LL MAYBE TRUST HER ♪ 707 00:47:16,700 --> 00:47:20,704 ♪ FOR SHE'S TOUCHED YOUR PERFECT BODY ♪ 708 00:47:20,771 --> 00:47:23,507 ♪ WITH HER MIND ♪